If you’re in Calgary this weekend, check out the $100 Film Festival at the Plaza Theatre - March 4-6, 2010
“Three days of short film, on film. Experience the magic of cinema with short film screenings, performances and parties. Full program now available on the website. This year’s program features special performances and workshops by Amanda Dawn Christie!”
A 16mm film I made a couple years ago called “Alone” will be screening. Fun times. Wish I could be there. Amanda Dawn Christie’s work is fantastic.
Here’s a photogram film doodle, called “fixit,” with a noisy soundtrack.
This weekend, check out CineVic and Puente Theatre’s Scene and Heard Redux at the Metro theatre, where films will be accompanying live storytelling. A film and story collaboration between myself and Rob Hunter will be screening on both Saturday and Sunday evenings, as well as films by Grace Salez, Maureen Bradley, Denver Jackson, Mark Borowski and Rachel Moore to accompany stories by Susu Ma, Jennifer Ferris, Raji Basi, Janice Valdez, and Paulina Grainger.
On an entirely separate note, this is a double-exposed toned film print that I was playing around with in the summer just after Phil Hoffman’s Film Farm. It was shot on High-contrast Kodak 3378E optical print stock and hand-processed.
This is an experiment I found a couple days ago, some tests I did with tints and tones a while ago. I’m calling it tintonetest, for a lack of something more meaningful. It was masked with paint markers, then toned with Berg’s tones and then the paint mask was removed. other parts were double-toned which created a posterizing effect (because I used hardening fixer, I believe.)
This is a short film, shot on 16mm optical sound stock. Parts are shot close-up with extension tubes, other parts are photogrammed. It is made with bicycle gears that were graciously donated to me by a local bikeshop called Bicycleitis.
The sound was made with a circuitbent keyboard, and I believe that David Parfit made the sound, and recorded it (I just mulched it up with the computer) – It was a stray file on my computer called untitled10.wav. I think it was David, but it may’ve been me. We were making noise in the basement one day. It’s all a blur. Apologies for being disorganized.
And, another random clip I found, floating around the server. Not sure I remember making it, but here it is, so I must’ve. It a test of tints and tones, and posterizing. I believe it’s the hardener in the fix that is changing how the tones react with the emulsion. This is slowed down a bunch, digitally. And I should really give a thanks to Hank and Lily, who let me mangle their beautiful song – it’s from their album called North America, and completely unrecognizable in this clip.
I’m not sure if it’s good or bad that I keep finding little films all over the place. This one was on my server, ready to be podcast, but somehow slipped through the cracks for a few months. I made it in Dawson City in the spring for part of their One-Minute Film Challenge. Rozalind MacPhail made the soundtrack. It was shot on 16mm film. In you’re in Victoria next weekend, check out CineVic’s Sweet 16 Film Celebration, November 6th, 7th and 8th. Deco Dawson will be visiting and giving an artist’s talk, and a film I made last year, called “Alone” will be screening on 16mm.
I cleaned it up a bit, replaced the bulbs, and rigged up the sockets to work better (only one preview window was working when I got it, now both are) The sound didn’t work anymore, so…..
after nerding out a bit and fixing the optical sound (even had to solder some circuitboards) – got it worked out to make contact prints. Getting to know the Steenbeck has been fun, definitely a lot of film wrecked, but worth every foot.
Very excited about the ability to make prints. Working on putting a film loop gallery together with Peter Sandmark. I haven’t given up on digital yet, but I’m straying.
Went on a trip to Toronto in June, to spend a week at Phil Hoffman’s Film Farm. What an inspiring place. Came back to Vic with a new fascination with 16mm, learned how to turn a Steenbeck into a contact printer (Thanks to Josh Bonnetta), and how to double and triple-expose. lots of little tinting and toning tricks. Started shooting on high contrast sound stock, it’s got a really low ISO, but with enough light, it looks great.
Collected some footage and skills for my thesis (yup, still working on it, just slowly) and snooped around the Toronto indie film community.
This is one of my experiments, double exposed and printed through the Steenbeck.
I saw the film ”RIP: A Remix Manifesto” by Brett Gaylor at this year’s Victoria Film Festival. In the spirit of the film , I pirated parts of the film onto 16mm Black and White film with my bolex, then hand-processed, tinted and toned it, then composited it digitally. The soundtrack is an old jazz show, recorded from an old reel-to-reel and mangled on the computer. You can find the origuinal film here: http://www3.nfb.ca/webextension/rip-a-remix-manifesto/ - go watch it.
It is a flurry of format changes. It was shot on Super 8 in black and white and hand processed, then digitized, composited and coloured with final cut pro.
The sound is a whole other story.
It starts with a new toy. Slim Sandy gave me an old reel to reel audio recorder last night. So me’n Dan sat around and made some noise with the deck and some reels of tape that were in my basement (a friend dropped them off one day, thinking they were 8mm film film reels.)
This soundtrack started as a radio transmission of the now-cancelled “Brave New Waves” program on CBC Radio 2, hosted by Patti Schmidt. It was (and still is) my favourite radio show, and helped shape my teenage years. It was recorded onto a cassette tape in the 90′s, recently digitized for my ipod touch, then piped through the old 1/4 inch reel to reel deck, warped and transferred to a digital recorder to be edited and chopped up on a computer….phew….