A couple months ago, I was asked to document an event. I did. And then I played with the footage and created this short video-doodle. Since the doodle misrepresents the event that the documentation was from, I won’t mention the name of the event here (although it is in the credits of the film) – Take that google spiders.


mechanical garden

It is a flurry of format changes. It was shot on Super 8 in black and white and hand processed, then digitized, composited and coloured with final cut pro.
The sound is a whole other story. 
It starts with a new toy. Slim Sandy gave me an old reel to reel audio recorder last night. So me’n Dan sat around and made some noise with the deck and some reels of tape that were in my basement (a friend dropped them off one day, thinking they were 8mm film film reels.)
This soundtrack started as a radio transmission of the now-cancelled “Brave New Waves” program on CBC Radio 2, hosted by Patti Schmidt. It was (and still is) my favourite radio show, and helped shape my teenage years. It was recorded onto a cassette tape in the 90’s, recently digitized for my ipod touch, then piped through the old 1/4 inch reel to reel deck, warped and transferred to a digital recorder to be edited and chopped up on a computer….phew….

rgb mind control (Caution: MAY CAUSE SEIZURES)


This started as an experiment with 16mm Black and white film. one frame of black, and one frame of white, alternating at 24 frames per second. When it’s switched to 30 frames per second to play in NTSC format, some interesting (and nauseating) things happen. Then I pushed it a little further and started to use red, blue, green, black and white frames. I guess this falls into the Structural Materialist category of experimental film. I find it fascinatingly abrasive.



ahhh. scribbling. mindless and meditative doodles. pencil crayons on paper. The soundtrack was made with a circuit-bent late-80’s Realistic keyboard. I took it apart, and poked around at it a bit, wired up a few extra things, and now it makes interesting painful noises, so I recorded it, then chopped up the sounds into something a little more organized and palatable.

Deceleration Chamber

This month at Open Space: The Deceleration Chamber.

The Deceleration Chamber is concerned with two entangled ideas: the elasticity of time—especially slow time—and how time is specifically experienced when one is away from familiar surroundings: on tour, traveling or on vacation. Encountering the unfamiliar, being lost or disorientated affects how time is perceived, how data is recorded and recollected, and how all of us choose the mode by which we measure, mark or experience the passage of time.

Artists Scott Amos, Frédérick Belzile, Scott Conarroe, Nathalie Daoust, and Daniel Tom explore differential time scales and refer to time not only as interval or measurement, but also as an active element in the construction of art. The Deceleration Chamber offers compelling time studies that directly and indirectly play off the habits, schedules and the erratic timetables of permanent and transitory populations.

It’s up until August 16th at 510 Fort St. in Victoria, from 10 to 5 Tuesday through Saturday.

With the help of Brian Macdonald and the the staff and volunteers at Open Space, I installed a 9 channel video installation for the show titled “Our Victoria.” This is a clip from the ninth channel. Colin Hander and Mike Wolske did the sound.

Here’s the little Blurb I wrote up about the piece.

Victoria is a city of postcard images, but the most impressive things never seem to make it to the printer. The Inner Harbour and the Parliament Buildings provide the background for millions of snapshots a year; They are the basis of visitors’ memories of our city. Although they are a part of our city, they are not the places that we frequent, the Victoria that we know and love. They are the parts that we show to others. The magical parts of the city we keep to ourselves.

When visiting other places, time passes differently, more slowly, you take notice of little details: the weathered bricks on a building, the intricacies of power lines, the reflections in windows. Everyday objects and places are rendered extraordinary by simply taking the time to observe them.

Our hometowns have similar delicate features, but we seldom notice. They are simply distractions that we pass by.

Our Victoria is a nine channel video installation, made to emulate old home movies. Although filmed in 2006, it looks as though it’s from past decades. The nine televisions are nine individual rolls of film, raw and unedited to emulate the frenetic nature of home movies and the raw memories they capture. It is an intimate look into the places that only the most adventurous visitors will see, the places that you won’t see in brochures, the places that have not yet been reduced to postcards.

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A fear and worry of mine. On celluloid. Shot on 16mm film and hand-processed. Initially created and screened on 16mm with live music performed by Rozalind MacPhail for MediaNet’s One-Minute Challenge. This is a digitized version with a re-recorded soundtrack.

*edit* – This film has been removed from from the podcast because of some upcoming public screenings. S>


Week 3 of the Film-a-Week Project.

This is a short film excercise called “Tomorrow.” It’s 24 seconds long, and was filmed on a low-end Sony miniDV camera, using the slow-shutter in a dark room. It started as an experiment with the trails of a cigarette heater captured using slow shutter, and I tried my best to spell out letters, but it just wouldn’t turn out how I wanted. The flashes and abstract lines were just distracting, so I re-filmed it with writing on the cigarette and kept it simple…There’s nothing thing new to say about smoking, but I tried…Mike Wolske and Darryl Tamney made the original music, and I tweaked it a little.

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Got back from the Vancouver Island short Film Festival yesterday, great screening and met a couple Island filmmakers, include Paul Whittington, who makes incredible animations which you can find here: – check out “L19 Disposed.”
Getting ready to go to the Victoria Symphony this weekend for their “Reel Music” Screening, where Lily will be playing. I’m excited to see what the composers came up with, and thrilled that the Victoria Symphony will be paying 4 live scores to my film. Wow, what an honour.

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